Hume s Paradox And The Standard Of Taste - 1527 Words

Additionally, about Hume’s paradox, â€Å"if we wish to ascertain the standard of taste, we should observe those people who are expert in adjusting themselves to the aesthetic situation and in bracketing intrusive circumstances when they respond to artworks,† (Carroll). Not every individual is knowledgeable in this manner, in fact, there are quite a few that are. Therefore, Hume later states â€Å"thus, through the principles of taste be universal, and, nearly, if not entirely the same in all men; yet few are qualified to give judgment on any work of art, or establish their own sentiment as the standard of beauty,† (Hume 109). If the critic allows bias to enter his or her consciousness while providing judgment, that individual is not qualified for the task. When critics use their personal feelings to discern one work of art from another, a standard of taste is established as well. These specific critics have distinguishable characteristics as follows: a â€Å"st rong sense, united to delicate sentiment, improved by practice, perfected by comparison, and cleared of all prejudice, can alone entitle critics to this valuable character; and the joint verdict of such, wherever they are to be found, is the true standard of taste and beauty,† (Hume 109). This idea follows the idea that beauty is a feeling rather than a descriptive term as well. Of the Standard of Taste provides the notion that the feeling of pleasure is based on praise. Hume uses his paradox to explore the feeling beauty capturesShow MoreRelatedDecision Theory: a Brief Introduction28334 Words   |  114 Pagesdecision-making.........................................19 3.6 Numerical representation .............................................................20 3.7 Using utilities in decision-making ...............................................21 4. The standard representation of individual decisions ................................23 4.1 Alternatives ........................ ..........................................................23 4.2 Outcomes and states of nature ...................................Read MoreCleanth Brookss Essay Irony as a Principle of Structure9125 Words   |  37 Pagesquite haphazardly. Its concentration on the epic and dramatic forms also seems somewhat irrelevant to the contemporary Roman literary scene of his day. However, the lively autobiographical approach of the â€Å"Ars Poetica† and its expression of personal standards in literature make it unique as a work of criticism in the ancient world.A few quotes in particular from the work have passed into common literary parlance, including: â€Å"in medias res† (literally, â€Å"in the middle of things†, describing a popular narrativeRead MoreOrganisational Behavioure23151 Words   |  93 PagesROBBMC08.QXD.0132431521 12/15/05 12:25 PM Page 258 Reason is, and ought only to be the slave of the passions, and can never pretend to any other office than to serve and obey them. — David Hume Emotions and Moods After reading this chapter, you should be able to: 1 Differentiate emotions from moods. 5 2 Discuss the different aspects of emotions. Discuss the impact emotional labor has on employees. 6 Identify the sources of emotions and moods. DiscussRead MoreStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 Pagesand permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or likewise. To obtain permission(s) to use material from this work, please submit a written request to Pearson Education, Inc., Permissions Department, One Lake Street, Upper Saddle River, New Jersey 07458, or you may fax your request to 201-236-3290. Many of the designations by manufacturers